Petra , an ancient city , which belonged to the Greeks earlier,excavated in Jordan is considered as one of the wonders of the world.
This city had the imprint of Constantine as well.
‘In a recently conducted Internet poll, Petra was voted by internet users as one of the ‘seven wonders of the modern world’. In this abandoned city, which lies hidden behind impenetrable mountains and gorges, magnificent rock-cut temples and palaces have been carved into towering cliffs of red and orange sandstone. The most famous of these structures is the ‘Al Khasneh’ (or the ‘Treasury’), which was made famous in an Indiana Jones film.
Sometime during the 3rd century BC, the Nabataeans began to decorate their capital city with splendid rock-cut temples and buildings. [Right: The Khasneh or "Treasury"] Their economic prosperity and architectural achievements continued unabated even after they came under the control of the Roman Empire in 106 CE. The neglect and decline of Petra started soon after Emperor Constantine declared Christianity as the official religion of the Roman Empire in 324 CE. A series of earthquakes crippled the region in the 7th – 8th centuries and Petra disappeared from the map of the known world, only to be rediscovered centuries later in 1812, by a Swiss explorer named Johann Burckhardt…
The term Dushara means ‘Lord of the Shara’, which refers to the Shara mountains to the north of Petra. The symbolic animal of Dushara was a bull. All over Petra, Dushara was represented symbolically by stone blocks.
At the entrance of Petra there are three massive standing blocks of stone, known as Djin blocks, which were sacred to the inhabitants. There are nearly 40 such Djin blocks present throughout Petra. In addition, at religious sites throughout the city, the Nabataeans carved a standing stone block called a baetyl, literally meaning ‘house of god’…
This unusual array of symbolic elements associated with the chief god of the Nabataeans, Dushara, may have confounded historians, but to anyone familiar with the symbolism of the Vedic deity Shiva, the similarities between Dushara and Shiva will be palpable.
Shiva is still worshipped all over India in the form of a black block of stone known as a Shiva Linga. A Shiva Linga, which is essentially a ‘mark’ or ‘symbol’ of Shiva, sometimes appears as an unworked block of stone, much like the idol of Dushara in the temple of Al Deir; but typically it is represented by a smooth, rounded stone which resembles some of the rounded, dome-shaped, baetyls that we find in Petra.
At Petra, an elaborate processional way leads from the center of the city to the temple of Al Deir. In front of the temple there is a massive, flat, courtyard, capable of accommodating thousands of people. This has led historians to suggest that the Al Deir temple may have been the site of large-scale ceremonies. It is possible that this was a celebration of Dussehra, since Al-Uzza was the ‘goddess of the people’ and Dussehra is the celebration of the victory of the goddess over the forces of evil.
It is not unlikely that the presiding god of the Nabataeans, Dushara, may have obtained his name from the festival Dussehra. The cult of Shiva-Shakti represented the sacred masculine and feminine principles, and the worship of Shiva has always been inextricably linked with the celebrations of the divine feminine. Even now in rural Bengal in India, the final day of celebration of Dussehra (Basanti Puja) is followed by an exuberant worship of Shiva. For these people, it remains the most important festival of their annual religious calendar.
It is unclear to historians whether all the representations of the female goddess found in Petra refer to Al-Uzza or to the Nabataean goddess triad of Al-Uzza, Al-lat and Manat. Although it is has been supposed that the consort of Dushara may be Al-Uzza, the depictions of Al-Uzza in other places of Arabia do not support such an association.
Al-Uzza (the ‘Strong One’) was the goddess of the morning and evening star. Isaac of Antioch referred to her as Kaukabta, ‘the Star’. She was sometimes depicted riding a ‘dolphin’ and showing the way to sea-farers. She is, thus, the counterpart of the Indo-European goddess of dawn, Ostara, and the Vedic ‘Usas’.
In the Rig Veda, there are around 20 hymns dedicated to the Usas, the goddess of dawn, who appears in the east every morning, resplendent in her golden light, riding a chariot drawn by glorious horses, dispelling the darkness, awakening men to action, and bestowing her bounty and riches on all and sundry.
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